To mithistorima ston kinimatografo

«To ergo moi einai na sas kano n' akoisete, na sas kano na aisthantheite kai, pano ap' ola, na sas kano na deite.» (Tzozef Konrant, 1897)«To ergo poi prospatho na petiho pano ap' ola einai na sas kano na deite.» (Nteibint Gkriffith, 1913)Oi dio aites fraseis anaggelloin tin istoriki sinantisi logotehnias kai kinimatografoi, poi trofodotise tin ebdomi tehni s' oli ti diarkeia toi aiona. Pos sinteleitai i metafora enos mithistorimatos stin othoni; Pos metashimatizetai kai optikopoieitai o graptos logos; Poso pisti sto keimeno menei i tainia; Poso emploitizei i ftohainei to thema, tin afigisi kai tin tehniki, tois istorikois kai politistikois orizontes toi prototipoi; Tetoia zitimata, goiteitika gia ton anagnosti kai ton theati ton ergon, krisima gia to siggrafea, to senariografo, ton kinimatografisti, ton kritiko, exetazontai diexodika, gia proti fora stin Ellada, s' aito to sillogiko tomo. Ta keimena anaferontai se klasika mithistorimata ton Tzozef Konrant, Emili Mpronte, Tzak Lonton, Herman Melbil, Henri Tzeims, Goiiliam THakeraii kai Mpram Stooiker, opos metaferthikan ston kinimatografo apo tois Alfrent Hitskok, Goiiliam Goiailer, Maikl Kertiz, Tzon Hioiston, Piter Mpogkntanobits, Stanleϋ Kioimprik, Berner Hertzogk, Fransis Fornt Koppola.Siggrafeis ton keimenon -kritikoi tis logotehnias kai toi kinimatografoi- einai o James Goodwin, John Harrington, Tom Flinn, John Davis, Brandon French, Kathleen Murphy, Michael Klein, Janet M. Todd, Diane Jacobs.