Diethnis sinantisi arhaioi ellinikoi dramatos

Perilambanontai ta keimena:Diethnes Simposio, Delfoi 8-12 Αprilioi 1984 "To arhaio drama simera"- Daniela Ambrosino, "Aristophane et Socrate" - Christian Biet, "Lesa adaptations de l' Oedipe - Roi de Sophocle en France, an XVIIIeme siecle" - Buxton Bristol, "The gods in Sophocles" - John Chioles, "The context of Aeschylus. The Persians" - Catherine Clement, "Meres et Filles: La Oefaite d' Artemis dans les deux Iphigenies d' Euripide" - Jean Duignaud, "Pourquoi, aujourd'hui encore, cette fascination du theatre grec?" - Katsouris A.G., "Menander: variation in the employment of comic techniques" - Tasos Lignadis, "I poiisi toi Αristoteli kai to sighrono anebasma (didaskalia) tis tragodias" - Balter Poihner, "O Max Reinhardt, o Fotos Politis kai i arhaia tragodia" - Petar Selem, "Le crime et apres" - Ilias Spiropoilos, "I domiki leitoirgia tis 'komikis lexeos' stin Αristofaniki komodia"Α΄ Diethnis Sinantisi Αrhaioi Ellinikoi Dramatos, Delfoi, 10-15 Ioinioi 1985 "To arhaio elliniko drama sti sighroni pragmatikotita"- Francisco Adrados, "Text and Staging in performing Classical Drama" - Juel Adedeji, "Classical Greek Drama at the crossroad· the African experience" - Soo Ahn Min, "On directing Greek Drama incorporating with traditional Korean Theater techniques" - Suresh Awasthi, "Greek Drama in performance in India" - Jiannis Chioles, "Love and rebolution in Euripides' 'Trojan Women'" - Dimitris Dimitriadis, "To drama toi Simpantos" - Diamantopoulos Alexis, "The Dionyssus theatre of Athens, exegetist of the sculpture of Olympia, 458-456 B.C." - Ndumbe Eyoh Hansel, "Two African adaptions of 'Oedipus Rex'" - Helena Foley, "Medea's divided self" - Santiago Garcia, "Possibilities of an Ancient Theater in a new world" - Kostas Georgoisopoilos, "O ginaikeios tragikos kodikas" - Giorgis Giatromanolakis, "Morfes bias stin tragodia" - John Gould, "Form meaning and performance in Euripides' 'Ion'" - Dave Hunsaker, "Yup' ik Antigone" - Lada Kastelan, "Antigone in Zagreb" - Shigenari Kawashima, "Tyche, Hybris and Jocasta: The second stasimon of the 'Oedipus Tyrannus'" - Tasos Lignadis, "Problimatismoi pano se sighrones parastaseis toi arhaioi dramatos" - Moussa Maiga, "Le theatre Grec ancien dans le monde contemporain" - George Marchi, "Chrysalis of consciousness, evolving human, emerging spirit... Thematic and production concerns when presenting Ancient Greek Drama in repertory with contemporary plays" - Benedetto Marzullo, "Stage word and word scenery in classical drama" - Giusto Monaco, "The modern production of ancient plays: some problems" - Heiner Muller, "Prometheus" - K. N. Panikkar, "Indian Classical Theatre (summary)" - Pierre Petrides, "Etiologie et finalite de la tragedie clasique Grecque" - Balter Poihner, "O poiitikos haraktiras tis ellinikis tragodias" - Dusan Rnjak, "Rezeption des antiken Griechischen dramas aut Jugoslawiscen buhnen" - Thomas Rosenmayer, "Euripides' 'Hecuba': Horror story or tragedy?" - Ernst Schumacher, "Le theatre dramatique Grec sur les scenes de la republique democratique Allemande" - Αristoxenos Skiadas, "To arhaio elliniko drama sti sighroni skini" - Tantasi Soizoiki, "I somatiki glossa stin parastasi ton Troadon" - Juergen Werner, "Political points in performances of Aristophanes" - Bob Wilson, "Medea" - Sarwar Yousof Ghulam, "Oedipus among the Malays: The Ancient Greek Theatre and its impact upon Southeast Asia" - Nikos Zakopoilos, "Mia alli ermineia toi mithoi tis Iokastis" - Ilias Spiropoilos, "Gia ti diereinisi toi repertorioi tis arhaias attikis komodias (mia protasi)" - Anna Sinodinoi, "I simasia ton arhaion dramaton simera"