Αnagnoseis tis ellinikis metapolemikis arhitektonikis

I meleti toi Panagioti Tsakopoiloi "Αnagnoseis tis ellinikis metapolemikis arhitektonikis", einai mia istoriki kai kritiki theorisi basismeni stin ereina toi ergoi 18 arhitektonon kai arhitektonikon grafeion poi drastiriopoiithikan stin Ellada sto deitero imisi toi 20oi aiona kai anikoin se ena diaforetiko fasma genion kai arhitektonikon taseon.I epilogi tois egine me dio basika kritiria, poi eite to ena eite to allo, eite kapote kai ta dio haraktirizoin tin poreia tois. To proto einai to idiorrithmo stigma tois stin elliniki metapolemiki arhitektoniki, i ohi aitonoiti entaxi tois sta kiriarha reimata tis. To deitero einai i periorismeni proboli tois stin kritiki istoriografia, i ohi analogi me ti simasia toi ergoi tois kai i elleipsi sinthetikis proseggisis tis doileias tois.Idiaitera simantiki einai i simboli tis meletis stin tekmiriosi tis ellinikis arhitektonikis toi 20oi aiona. Oi monografies ton arhitektonon poi perilambanontai sto Deitero Meros tis meletis, sinistoin, stis perissoteres periptoseis, tin proti sinthetiki kritiki theorisi toi ergoi tois, basismeni kata ena meros se adimosieito iliko apo to arheio tois, se keimena, shedia kai fotografies poi parahorithikan apo tois idiois ston siggrafea kai dimosieiontai gia proti fora stin paroisa ekdosi, kathos kai se prosopikes sinenteixeis.Periehei ekteneis perilipseis sta agglika.The choice of eighteen architects and architectural studios -the central focus of the present study- has been made, in most cases, with two basic criteria in mind. The first is the unique signature that they have added to Greek postwar architecture, their participation in the dominant trends of the period and their subsequent divergence -or not- from those trends. The second is (in some cases) the limited promotion of their work in the Greek architectural history. The book is divided into broad yet interlinking circular fields in which architects and studios, linked to one another by common threads, are included. This approach leads to an initial examination of the whole of an architect's or studio's work (Second part), in order to attempt a "holistic" interpretation of periods, based on the aforementioned circular fields (First Part).