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Haris Mantafoinis

Haris Mantafoinis
-10 %
Haris Mantafoinis

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Ehontas parakoloithisei to sinolo ton horografion toi Hari Mantafoini eiha shimatisei ti geniki apopsi oti oi horografies toi epikentronontai stis domes ton kinitikon draseon, opos kai stis sheseis poi anaptissontai anamesa stois horeites epi skinis. I apopsi moi aiti enishithike apo tis theseis poi o idios o Mantafoinis diatipose kata ti diarkeia tis sinenteixis poi moi parahorise stis arhes toi 2011, apo tin opoia proekipsan dio protarhikis simasias stoiheia gia tin ereina moi: o anthropokentrikos haraktiras toi ergoi toi kai i protimisi toi se oligomeli horeitika shimata. Oi apopseis kritikon toi horoi gia to ergo toi Mantafoini, tis opoies sinelexa apo arthra efimeridon, periodika kai meletes allon theoritikon, an kai den pragmateiontai diexodika to horografiko toi ergo, sigklinoin ostoso kai aites stin idia kateithinsi.Basismeni se aita ta dedomena, entrifisa sto horografiko toi ergo me ta methodologika ergaleia poi ehoin kathierothei sti meleti toi horoi. Katelixa sto simperasma pos i moni eparkis analisi kai ta mona axiopista simperasmata se shesi me ti meleti tis kinisis kai ton sheseon poi anaptissontai kinitika stis horografies toi Mantafoini tha mporoisan na prokipsoin mono me ti sistimatiki axiopoiisi ton horologikon methodon. I horologia, os dokimasmeni methodologia analisis tis domis kai toi ifois ton horografion ston horo tis ereinas gia ton horo, mporei na prosferei tekmiriomenes plirofories gia tis epiloges alla kai ton tropo poi sinthetei o horografos. Αpo to sinolo toi ergoi toi Mantafoini epelexa na analiso tis horografies Romaios kai Ioilietta (1995) kai Αioriseis (1998), me tin opoia apespase to kratiko brabeio kaliteris horografias toi idioi etois stin Ellada, epeidi kai oi dio anikoin stin pio dimioirgiki kai orimi periodo toi horografoi. Tis theoro idiaitera simantikes alla kai endeiktikes gia tin anadeixi ton kinitikon stoiheion sta erga toi, dedomenoi oti me tin proti oloklironetai i kirios afigimatiki fasi toi horografikoi toi ergoi me kathorismeno apo ton idio to kinitiko lexilogio, eno me ti deiteri simatodoteitai i strofi toi sta amigos kinitika erga poi basizontai ston aitoshediastiko tropo diereinisis tis kinisis. I meleti aiton ton dio diaforetikon ergon meso tis analisis tis domis tois kai tis anaforas sta stoiheia tis parastasis, skopo ehei na probalei tis epiloges toi horografoi os pros tis draseis tis kinisis kai parallila na anadeixei to endiaferon toi os pros tin anaptixi ton sheseon. Ta stoiheia ton draseon kai ton sheseon sinistoin dio apo ta pente sistatika tis kinisis kai prosdidoin sto ergo toi anthropokentriko haraktira. I paroisa meleti anaptissetai se tria kirios kefalaia. Sto proto, anaferomai diexodika sto eidos horoi poi aneptixe stin Ellada o Mantafoinis kai sholiazo tin kainotomia toi se shesi me ta reimata tis ekastote epohis. Prepei edo na simeiothei oti oi epiloges toi aites eihan os apotelesma tin ananeosi toi horoi stin Ellada. Sto deitero kefalaio ginetai diexodiki anafora stis praktikes poi hrisimopoiei sti sinthesi tis horografias o Mantafoinis, skiagrafeitai o tropos me ton opoio heirizetai ta stoiheia tis parastasis kai prosdiorizontai oi epidraseis poi dehthike apo ta dio kiria reimata tis epohis toi, ton monterno kai ton metamonterno horo. Sto trito kefalaio paroisiazo kata tropo sinoptiko kai periektiko tin analisi tis horologikis methodoi poi akoloitho stin paroisa meleti. Horis na diekdikei eisima diexodikis paroisiasis kai sholiasmoi tis sigkekrimenis methodoi, i paroisiasi aiti epidiokei na dosei mia oso ginetai pio safi kai emperistatomeni eikona, i opoia na simbadizei me ti stoheisi kai tis anagkes poi aporreoin apo tin analisi ton dio horografion toi Mantafoini. Αkoloithei i analisi kathemias apo tis dio horografies me basi ti simeiografiki methodo Laban, i opoia, gia tin exagogi asfalesteron simperasmaton, sinodeietai kai apo tin analisi ton stoiheion tis parastasis. I meleti kataligei me ti sinopsi ton porismaton. Ekrina skopimo na paratheso apospasmata apo ti sinenteixi poi moi parahorise o Mantafoinis: os protogenis pigi, basistike se anoiktoi tipoi erotiseis, oi opoies anaprosarmozontan kata ti diarkeia tis sizitisis-sinenteixis. I sinenteixi os basiko methodologiko ergaleio tis poiotikis methodoi ereinas eihe os stoho na sigkentrothoin plirofories shetika me tin ipokeimeniki empeiria, opos aiti apokaliptetai meso tis prosopikis afigisis tis zois toi horografoi (bl. Clarke 1999, Lidaki 2001). Epexergastika kai anelisa to pragmatologiko iliko tis sinenteixis kai epelexa sigkekrimena apospasmata ta opoia kai entasso se aiti ti meleti. Parallila, theorisa aparaitito na anadimosieiso tin anakoinosi toi apo ta praktika toi sinedrioi poi diorganose o Sindesmos Ipotrofon toi Koinofelois Idrimatos Αlexandros S. Onasis me titlo "I Tehni toi horoi simera: ekpaideisi, paragogi, parastasi" (Αthina, 9 kai 10 Noembrioi 2002), epeidi einai i moni dimosia topothetisi poi o horografos diatipose enopion eidikon toi horoi me safi gnosi toi antikeimenoi, eidika oson afora tin poreia toi horoi kai tis diaiterotites toi stin Ellada. To keimeno aito, se sindiasmo me ti sinenteixi poi moi parahorise o horografos, stathike hrisimos arogos stin poreia tis ereinas moi. Telos, ektimontas oti o mellontikos ereinitis toi horoi mporei na hrisimopoiisei to iliko aitis tis meletis, gia na anadeixei alles ptihes toi ergoi toi, theorisa skopimo na paratheso sto parartima tin pliri ergografia tis "Omadas Sighronoi Horoi toi Hari Mantafoini". Stin poreia tis ereinas moi meletisa diexodika to arheio toi Mantafoini, eno episis ekana epitopia ereina: sta arheia toi diethnois diagonismoi horografias toi Bagnolet kai sti bibliothiki toi Centre National de la Danse sto Parisi, sta arheia tis Ethnikis Lirikis Skinis kai toi Ethnikoi THeatroi stin Αthina, sti bibliothiki tis Kratikis Sholis Orhistikis Tehnis (K.S.O.T.) stin Αthina, sti bibliothiki toi Kentroi Horoi Kalamatas, sta arheia toi Festibal Αthinon - pidairoi kathos kai sta arheia tis Politistikis Etaireias toi Dimoi Patron, sti bibliothiki toi THeatrikoi Moiseioi, stis bibliothikes ton Tmimaton THeatrikon Spoidon toi Panepistimioi Patron, toi Panepistimioi Peloponnisoi sto Naiplio kai toi Ethnikoi kai Kapodistriakoi Panepistimioi Αthinon. THeorisa aparaitito na hrisimopoiiso os piges ta programmata kai ta deltia tipoi ton parastaseon, eno parallila axiopoiisa oles tis diadiktiakes piges poi perieihan kritikes, sholia kai anafores ston Mantafoini. O logos poi anetrexa se aites tis piges einai epeidi ta parapano stoiheia, ta opoia sinistoin protogeneis kai deiterogeneis piges - graptes, optikes kai akoistikes - stin istoriki ereina toi horoi os tehnis (Layson 1994: 18-21), sigkrotoin akomi kai simera tis mones piges poi iparhoin gia ton Mantafoini stin elliniki bibliografia. Kataligontas, tha ithela na eiharistiso therma tis sinadelfois moi Baso Mparmpoisi, Maria Tsoibala, Mariza Binieratoi kai Maria Koitsoimpa, me tis opoies sizitisa to thema tis paroisas meletis se progenestera stadia epexergasias tis. Eiharisto episis tin Titika Karabia, theoritiko tis logotehnias, gia tis gonimes sizitiseis mas se themata afigimatikotitas kai iperkeimenon kai ton klasiko filologo Agi Marini gia tis hrisimes paratiriseis toi. Telos, tha ithela na episimano oti to enaisma gia ti siggrafi aitis tis meletis apotelesan oi paradoseis moi stin Kratiki Sholi Orhistikis Tehnis (K.S.O.T.), sto plaisio toi mathimatos tis horologias toi akadimaϊkoi etois 2006-2007, kai eidikotera oi sizitiseis poi eiha gia to ergo toi Mantafoini me tois tote foitites kai tis foititries moi, tois opoiois aisthanomai tin anagki na eiharistiso.
Book Details
Pages132
WriterKatia Sabrami
PublisherDian
Date Issued2012
14.40€
16.00€
Ex Tax: 14.40€
  • Stock: In Stock
  • ISBN: 978-960-7222-57-2